The second-of-its-kind tour, sponsored by the Snake River Alliance, helped inform artists of Idaho's pivotal role in the Nuclear Age and served as the foundation of a new exhibition, Holding What Can’t be Held, which opens this week at MING Studios in Boise.
“After several years of doing tours with no pictures, we thought ‘Why not start taking artists?’” said SRA Executive Director Wendy Wilson. “They can communicate their experience at the facility to people even better than we can through photographs.”
While INL remains an important nuclear research and development laboratory, it is also a designated superfund cleanup site. Much of the artists' tour focused on observing the unearthing of plutonium-contaminated waste buried between 1949 and 1970. The waste was buried in trenches and pits that lacked adequate protective liners, which SRA said allowed dangerous pollutants to seep into the Snake River Aquifer. To this day, INL is trying to repair the damage and create new best practices for handling the waste.
- Eric Mullis
- Sculpture from Holding What Can't Be Held.
Local artists in the show include: Boise musician Tim Andreae; photographer John Shinn; Chad Erpelding, an assistant professor of painting in Boise State University MFA program; and husband-and-wife team Kelly Cox and Eric Mullis, who teach in the city of Boise Parks and Recreation Art program.
Daniel Peltz and Sissi Westerberg, installation artists and co-directors of the Rejmyre Art LAB, hail from the Rhode Island School of Design; and Amy O’Brien, a former Broadway dancer and Boise resident since 2002, round out the creative group.
During open studio hours, the artists will be on site to answer questions about their process and experience, and to speak about the potential impacts of nuclear waste on the Gem State.
“This exhibition is better than taking a picture of the desert and saying ‘Oh, there’s nuclear waste out there’, because that waste is invisible,” said Wilson. “But just because it’s invisible doesn’t mean that it can’t hurt you.”